Contemporary Artists Based in Europe
“Project Europe, Imagining the (Im)possible” at the Samuel P. Harn Museum of Art, Gainesville, Florida in Camera Austria 110 (2010), pp. 62-63.
“Beyond Post Modernism: The Spiritual in Contemporary Art, Metaphysical is Hip (Again)” in Art Papers 26, no. 1, cover story (January/February 2002), pp. 30-36.
“Shirazeh Houshiary” at Lehmann Maupin Gallery in New York in Art Papers 24, no. 1 (January/February 2000), pp. 47-48.
“From Form to Formlessness: A Conversation with Shirazeh Houshiary” in Sculpture 19, no.6 (July/August 2000), pp. 24-29.
Henri Cartier-Bresson, amazon.com, 2000
“Atelier Van Lieshout” at the Contemporary Art Museum of the University of South Florida, Tampa, Florida in Sculpture 18, no.10 (December 1999), pp. 64-65.
“Memorial for Anonymous: An Interview with Christine Borland”
in Sculpture 18, no.8 (October 1999), pp. 16-23.
Essay for catalogue of Béatrice Helg: Architectonic Illusions at the Southeast Museum of Photography, Daytona Beach, Florida, September 13 -October 28, 1994.
“Studio: Shirazeh Houshiary” in Sculpture 13, no. 4 (July/August 1994), pp. 10-11.
“Peter Weibel: From Globe to Glove” at the Contemporary Art Museum, University of South Florida, Tampa in Art Papers 18, no. 2 (March/April 1994), p. 32.
“Site: Ian Hamilton Finlay’s Garden” in Sculpture 13, no. 1 (January/February 1994), pp. 16-17.
“Little Sparta: Ian Hamilton Finlay’s Garden” in Garden Design 12, no. 5 (November/December 1993), pp. 22-25.
“Interview: Michael Mazière” in Art Papers 17, no. 6 (November/December 1993), pp. 30-35.
Essay for catalogue of Shirazeh Houshiary: Turning Around the Centre, a touring exhibition of the Fine Arts Center, University of Massachusetts at Amherst, opened November 5, 1993, published 1994.
“Crossing Tracks: Thierry Kuntzel and Chris Marker” interview with Gregory Ulmer in Hybrid 1, no. 2 (April/May 1993), pp. 46-47.
“Interview: Ian Hamilton Finlay” in Art Papers 17, no. 1 (January/February 1993), pp. 30-33.
“Interview: Pavel Büchler” in Art Papers 17, no. 1 (January/February 1993), pp. 38-40.
“Abigail Lane” at Karsten Schubert Gallery in London, England in Art in America 81, no. 1 (January 1993), pp. 111-112.
“Edinburgh: On Heat/The Art of Will Maclean/Andy Goldsworthy/herman de vries” four exhibitions in Edinburgh, Scotland in Art Papers 17, no. 1 (January/February 1993), p. 41.
“Glasgow and London: Tony Cragg / Gereon Lepper” a major retrospective of Cragg’s work at the Centre for Contemporary Arts / Tramway in Glasgow and Lepper’s work at the Chisenhale Gallery in London in Art Papers 17, no. 1 (January/February 1993), p 42.
“The Edinburgh International Festival and Fringe” in Art Papers 16, no. 6 (November/December 1992), pp. 66-67.
“Sophie Calle” at the Museum of Modern Art of the City of Paris in Art Papers 16, no. 2 (March/April 1992), p. 43.
“The Biennial of Contemporary French Art: The Love of Art” in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).
“Passages de l’Image” touring exhibition of the Centre Pompidou at the Wexner Center for the Arts, Columbus, Ohio- the complete exhibition in Art Papers 16, no. 1 (January/February 1992), pp. 62-63 (together with Gregory R. Miller).
“Passages de l’Image” touring exhibition of the Centre Pompidou at the Wexner Center for the Arts, Columbus, Ohio—the sculptural installations in Sculpture 10, no. 6 (November/December 1991), p. 57.
“International Festival of Group Art” Marseilles, France in Art Papers 14, no. 4 (July/August 1990), pp. 72-73.
“1989 Whitechapel Open” at Whitechapel Gallery, London, United Kingdom in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.
“Interview: Shirazeh Houshiary” in Art Papers 13, no. 6 (November/December 1989), pp. 14-17.
“A European Commission: The Architect’s Perspective” in Sculpture (March/April) 1987), p. 20.